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It’s with a wave of San Francisco Bay pride that we welcome Oakland-born Jim Parkinson to the FontShop fold. For over 40 years our local letterer has been drawing logos and type for institutions known worldwide from Hallmark Cards to Rolling Stone to the Ringling Bros. In 1990 he put away his pen and ink and went totally digital, but the influence of traditional sign painting styles and pre-digital typography never left him. He created hundreds of retail fonts for various foundries and now we’re honored to offer his own personal collection.
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Balboa, Balboa Condensed, Balboa Wide
Combining elements of early sans serif and grotesque types with contemporary touches, Balboa evolved from a rather plain headline gothic to a 19-style family, ideal for publication design.

Avebury is a slightly modernized and more readable blackletter than its predecessors. One of the heavier blackletters, Avebury is available in solid or open styles.

When you need a Copperplate Gothic with a little more nuance, go for the typeface that evolved from Parkinson’s lettering on the famous Ringling Bros. and Barnum & Bailey Circus logo. The Modesto family includes three widths, outlined and inlined caps, and something else you won’t find in Copperplate: a set of text fonts with lowercase.

Born from Parkinson’s work on a condensed Metro for the San Francisco Chronicle, Richmond is a 16-style warmly geometric sans family in the spirit of W.A.Dwiggins and Jakob Erbar.

Sutro, Sutro Condensed, Sutro Initials
Parkinson’s interest in early slab serifs began in the 1970s when he drew a new version of Egiziano for Roger Black at New West Magazine. The versatile Sutro family has 19 members for text and headline use, adding a modern alternative to existing Clarendons.
Amador
A blackletter designed in the spirit of the Arts and Crafts movement. Also inspired by the works of Frederic Goudy and Rudolf Koch.
Fresno![]()
Like his FF Moderne Gothics, Fresno is drawn in a square gothic style typical of the mid-20th century signs of his native Oakland, California.
Hotel
Like his FF Moderne Gothics, Hotel is drawn in a square gothic style typical of the mid-20th century signs of his native Oakland, California.
Wigwag
Bold and informal, but not too wacky, Wigwag comes from 1940s showcard lettering. Available in regular and shadowed styles.

Geogrotesque (updated)![]()
After we announced Eduardo Manso’s semi-modular sans in May, the fonts flew to the top of the charts. The popular family is now even more useful with the addition of italics and an expanded character set with support for Central and Eastern European languages.

Effra, Effra Italic (new)![]()
Another popular sans serif gave birth to italics this month, with the arrival of Effra Italics. The family is now an even more appealing option for editorial text and corporate materials.
Introducing FontCase™
An elegant, award-winning font manager for the Mac. Available exclusively at FontShop.com.
Mac OS X comes with basic font management, but anyone with more than a few fonts needs a professional app to preview, organize, and activate fonts in their growing collection. We’re pleased to announce we can now offer the app we recommend most: FontCase.



Preview, Manage, Compare, Examine, and Print Fonts
Pieter Omvlee and Laurent Baumann won an Apple Design Award this year for their app’s elegant UI. FontCase has a powerful tagging system to help you manage fonts in an intuitive way.
If you’ve used iPhoto or iTunes you’ll be instantly familiar with the FontCase interface. It lets you control your fonts like you control your music.
But you don’t have to take our word for it. FontCase has already been praised by users, blogs, and Mac publications all over the globe.